This film was supposed to launch an entire “movie vehicle” DARK UNIVERSE and instead.

Information on cast, credits and reviews. The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality. Hot Poop · Dweezil ’s Live In The Moment II album is nearly ready. As per volume one, it highlights extemporaneous live guitar soli in the Shut Up 'N Play Yer. We never knew when we put out an album of the music of the late William Onyeabor that William had never performed live - though we did know he had no.

Why Deep Space Nine and Voyager May Never Get the HD Remaster They Deserve. The Original Series, The Next Generation and Enterprise are all available in high- definition on Blu- ray and streaming services. So, when will Deep Space Nine and Voyager be available in superior quality? That’s a question we receive here at Trek. News. net on a regular basis. I’m talking every.

Believe me, I do. I’d LOVE to see both of those shows in HD. Could you imagine how great “It’s Only a Paper Moon” or “Endgame” would look in crisp high- def? I get excited just thinking about it. And I know many of you do, as well. So, why aren’t these incredible shows getting the same treatment as the others?

I recently reached out to the writer, director, producer and editor of the incredible bonus features found on The Next Generation and Enterprise Blu- ray sets, Robert Meyer Burnett, to get some answers. Burnett was so heavily involved on the previous remastering projects, he seemed like the perfect source for answers to my burning questions.

If you’ve ever wondered about Deep Space Nine and Voyager on Blu- ray, sit back and relax as Burnett provides an enormous amount of detailed information that will most likely answer all of them. Trek. News. Net: Over the course of the next few weeks, we’ll see CBS release complete series sets of both Star Trek: Deep Space Nine and Star Trek: Voyager on DVD. With the remastering of Star Trek: The Next Generation and Star Trek: The Original Series now complete, why do you think CBS made the decision not to do the same with those shows at this time? Robert Meyer Burnett: A complicated question with a simple answer; It takes way too much time and money to remaster DS9 and Voyager into HD. But I have a longer and hopefully more comprehensive answer for you.

Because even after eight years since The Original Series Blu- rays hit, there’s still a great deal of misunderstanding regarding the restoration of both TOS and TNG. Until fairly recently, both motion pictures and TV were shot mostly on 3. Some television used 1.

Comparatively, NTSC video, used in North America and Asia, has basically 6. Download Stalker Rerelease (2017) Movie Hq. After being shot on film, that film was edited, the negative was cut and prints were struck from that cut negative.

All visual effects, titling, etc., were also shot on film. Depending on the finishing process, the resolution of the 3. This cut negative, properly stored and cared for, was then put away until it was needed to either strike new prints, or be scanned for use on television and home video. It was the dark times, before the rise of HD and now UHD images, ALL movies and television originating on film were scanned down to standard definition video resolution from their original negatives. NTSC resolution in North American and Asia. So a 2. 0 megapixel original image was scanned down to 6.

VHS and DVD. For over 5. TV were really quite terrible, displaying a mere small fraction of the color and clarity contained in the original 3. Burnett holding the Enterprise model constructed by Greg Jein for the Deep Space Nine episode “Trials and Tribble- ations”But most people didn’t know this. Or even care. Television was television, movies were movies and of course movies looked way better when you went to the theater.“For over 5. TV were really quite terrible”Here’s where it gets both interesting and maddening. In the mid- 1. 98. Now, a new post- production methodology, once existing only for shows originating on videotape, like soap operas and talk shows, could now be applied to shows shot originally on film.

A program could be shot on 3. NTSC resolution, and the rest of the post- production process, editing, mixing, etc., would then be completed on tape, at a reduced cost. However, NO FILM NEGATIVE WAS CUT, so the final product would only exist on videotape, at NTSC’s greatly reduced video resolution and color. True blacks, stable reds and rich blues simply didn’t exist on videotape.

Those shows originally shot on 3. Star Trek: The Original Series, Season 2, Episode 4 “Mirror, Mirror”For certain programing, such as science fiction television, the upside of this new post process allowed certain VFX elements to be produced far, far cheaper for television than ever before. For instance, a phaser blast or energy field, once hand- animated and shot on film, could now be generated and animated by some kind of video toaster technology at far less cost, in a much shorter time.

Once, a producer might only be able to afford two phaser beams, but now they might now get themselves seven or eight blasts, allowing a much more exciting firefight. For the discerning viewer however, this combination of film and video imagery, especially in genre programming, didn’t look very convincing, barely a step up from Land of the Lost. The mid- 8. 0s Twilight Zone revival, as much as I adore it, is a perfect example of the incongruity of 3. NTSC video generated special FX.

But again, most viewers couldn’t tell the difference. In late 1. 98. 6 and early 1. Star Trek: The Next Generation, it was decided early on the only way to produce the series on time and on budget, with all of the VFX demands Trek required, would be to shoot on 3.

The same would hold true of DS9 and Voyager. Enterprise though, shot in 2. MM and finished in HD, with the VFX created in CG at 7. Star Trek: Deep Space Nine, Season 6, Episode 1.

Waltz”Starting in 2. HD broadcasts, it quickly became apparent to anyone paying attention, standard resolution, NTSC video would soon be rendered obsolete.

After seeing an HD image, who would ever want to watch standard definition video again? Studios quickly began transferring their films and television to High Definition formats, settling, until very recently, on 1. Each episode of TOS and The Animated Series already exists as a single cut negative, so he transfer process the same as any other film or television episode with cut negative.

Star Trek: Voyager, Season 4, Episode 1 “Scorpion, Part 2”Then why does the remaster of TOS have new VFX? A few reasons, actually. Originally, optical compositing was used to create spaceship shots, with many pieces of film combined and reshot on an optical printer.

This process was used since the beginning of motion pictures, but each separate film element used multiple stocks and dirt tended to build up during the mechanical process of optical printing. Butted up next to the beautiful, live- action TOS footage, the original VFX, with its added dirt and diminished resolution, looked incongruous. So, CBS decided to create NEW visual effects which would smoothly transition with the stunningly colorful, live- action photography.

The new VFX created a seamless experience and, as an added benefit, updated what some see as the most dated element of the original show. Thankfully, in a wise move, CBS included both versions on their blu release. Star Trek: Enterprise, Season 4, Episode 1 “Storm Front”But TNG, DS9 and Voyager could not be rescanned and released in Full HD, as the original edited programs only existed on tape at NTSC resolution. With worldwide markets rapidly converting to HD, modern Trek, with the exception of Enterprise, would simply no longer be shown anywhere. With TNG still the most successful Trek series by a wide margin, Paramount and CBS desperately wanted to figure out a way to not let their crown jewel get thrown onto the scrapheap of history. Something had to be done. So a radical notion was proposed?

In the history of television, this had never been done before. Essentially, all 1.

TNG (1. 76 if you’re watching the original versions of “Encounter at Farpoint” and “All Good Things”) would have to go through the entire post- production process AGAIN. The original edits would be adhered to exactly, but all the original negative would have to be rescanned, the VFX re- composed, the footage re- color- timed, certain VFX, such as phaser blasts and energy fields, recreated in CG, and the entire soundtrack, originally only finished in 2 channel stereo, would be remastered into thunderous, 7.

Were You On This Delta Plane That Flew Into Hurricane Irma? Flights are being canceled left and right, but one Delta crew woke up Wednesday morning with a planned trek from New York City to San Juan and said fuck it. Category 5 Hurricane Irma is currently barreling through the Atlantic Ocean and is now considered. Would you want to be on this plane?

Remarkably, the Delta website shows that Flight 4. As Flightradar. 24 points out, it’s almost certain to be a quick turnaround. Hopefully the crew can get out fast. Anyway, were you on this flight? How was the approach to San Juan? What are your feelings on Delta at the moment? Updated (3: 5. 5 p.

People normally exit airplanes like morons, but Delta managed to get Flight 4. Given the circumstances, not bad, eh? And check out how the plane weaved its way through the outer bands of Irma to get out of dodge.