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Roundup: Ten High- End Acoustics . A high- end guitar has certain attractions.

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Aged. solid woods, gleaming frets, superb playability, and a sound that stirs your. But. there’s also the “X” factor that comes with. After all. what great classic acoustic guitar was ever designed by a committee? Whether. you’re talking about C.

F. Martin or Orville Gibson—or one. Dana Bourgeois, Bill Collings, Richard Hoover. Bob Taylor—the instruments with these guys’ fingerprints.

Guitars priced at or above the $2,0. And while we. didn’t purposely seek out the costliest models that are out there. Taylor 7. 14ce to the $8,9. Mc. Pherson Camrielle 4. Each of these guitars has its charms that might sway you one way or.

As we’ve pointed out in past roundups of. It’s just the sort of.

BK/Slope D. does so much more than that. Rhythm, flatpicking, fingerstyle—this. And therein lies the origin of the “BK” tag. Dubbed the “Banjo Killer” by bluegrass ace Bryan Sutton. BK/Slope D comes. After Sutton’s original 1.

Bourgeois. Banjo Killer was damaged in the Nashville flood of May 2. Bourgeois and team. Even before you hoist BK/Slope D, the woods in its top and body jump. The solid Sitka spruce top dances with.

Ivoroid binding graces the top and back. Sutton’s. specs), there’s a tasty multi- ply soundhole rosette, and a backstrip. Add in the custom Tor- tis pickguard; a fingerboard. Final. touches such as a bone nut and saddle and Waverly tuners lend a traditional.

The BK/Slope D’s quarter- sawn mahogany neck is carved to a. C profile, but anything much fuller might make it a tricky. It feels great. right up to the 1. Bourgeois shop, with an action that is easy on the swift runs, yet. Dana Bourgeois says this model has “a deep, broad tone, and.

Bryan’s original Banjo Killer.” No. G- run booms. out as a formidable beast on the BK/Slope D, while the high notes in any simple. Travis- picking figures ring velvety and clear. The midrange is rather scooped. Whether you’re looking for a flat- picking bluegrass. Bourgeois BK/Slope. D has an awful lot to offer, and as such it earns an Editors’ Pick.

Award. Elegant looks. A. volume machine, but rich and lush sounding.

CONCERNS None. BREEDLOVE MASTER CLASS PACIFIC Based in the Pacific Northwest cty of Bend, Oregon, Breedlove has been building fine acoustic guitars since 1. Featuring. an eye- popping orgy of beautiful woods, the Pacific is instrument that embraces.

Ninja throwing star. The Pacific specializes. And, wow, what a looker.

Pacific is too with all that curly maple accented by flamed koa binding and. The maple neck is also treated to koa trim atop 3- ply.

The headstock wears a. The Pacific is a nimble. The. neck’s medium D profile and low- action setup facilitates speedy. The headstock shape and arrangement of the tuners provide for a very. Gotoh machines. Intonation is tuneful in all positions, and this definitely enhances. Pacific’s tones, which are. The midrange is. very even and with no tendency to sound honky or boxy, and coupled with the.

Pacific takes things in a more hi- fi. The Pacific is not a particularly loud guitar—especially. This is a guitar that will please fingerstylists and. I found it to. be an inspiring instrument for songwriting, practicing, and gigs. Breedlove. definitely has a solid lead on what it takes to build a modern fl at- top, so if.

Master Class Pacific is something to you. Excellent sound and. Buy Circus Kane (2017) Movie Online. CONCERNS Would likely need to be amplified in a. BROCK MODEL OM Brock Johnston has been building guitars since 1. Based on the classic.

Martin OM (which made its debut in the late 1. Brock’s Model OM. As such, the Model. OM’s aesthetic is one of classy, understated elegance, with not a. From the immaculate frets to a sterling interior.

Sitka spruce bracing) to the high- gloss nitrocellulose. Model OM delivers exactly what is. The open- gear Waverly tuners. Heck, the only shell. The Model OM is an absolute joy. Its nimble feeling C profile.

The edges of the fretboard are super smooth, and the frets are. I found the string. I was fingerpicking or flatpicking, as it allowed. The instrument balanced on my lap. Not a big deal, though, since Brock will install one for. You probably can’t see it from the.

Sonically, the Model OM emits a hefty amount of volume and punch. The dynamic response is such that. The sonic detail is. While shooting a knowing glance toward tradition, yet managing to. DNA, the Brock Model OM is a wondrous piece of work that. Its refreshingly.

This guitar is a blast to play and is. Ultimately, however. Model OM’s bold tones and exceptional playability.

Editors’ Pick Award. A soulful instrument.

CONCERNS None. COLLINGS CJ3. Bill Collings got his start in the guitar business after relocating from Ohio to Houston, Texas, in 1. His interest. and talent for improving his craft soon let to the creation of instruments that. Lyle Lovett and Rick Gordon. You might say the rest is.

Collings has been constantly seeking to make better guitars, and. CJ3. 5 on review here, the results are impressive. Inspired. by “golden age” American- made flat- tops, circa 1.

CJ3. 5 is a guitar that adheres to the concept that more is indeed. Based on. proven CJ design, the 3.

Sitka Spruce top. Internally, the formula gets. Adirondack spruce bracing with a. A slightly shorter 2.

Visually, the CJ3. The cosmetics are tasteful and the.

The burnished hues in the CJ3. Sitka, which plays well with the. Flipping. the guitar around, we find a “1 style” walnut back stripe. Other nice touches include a facing of ebony on the. Waverly tuners with exposed gears and. The guitar came up to pitch easily and. Texas to. our offices in Northern California.

The neck offers an excellent feel with its medium profile and compound. Intonation is tuneful in all positions, and the playability certainly. The action is a tad. Collings states that the CJ3.

The CJ3. 5 has a huge presence, and it can pump out an amazing amount of. The upper- midrange emphasis in its. CJ3. 5 an excellent choice for flatpicking solos or strumming.

But this highly flexible instrument with its rich, blossoming. Big, bold sound. CONCERNS None. GIBSON SJ- 2. 00 WESTERN CLASSICThis decked- out 6- string Cadillac is based on a custom guitar that Gibson made at the request of country music/film star Ray Whitley in 1. Check the. options list: The Western Classic sports four- ply binding on its. Tri- burst” premium AAA Sitka top and three- piece Indian. Mother- of- pearl block- style block position. Waverly tuners with exposed gears, and a script “Gibson”.

It feels more like the neck on a high- end archtop guitar, and the. Combined with a good setup and fairly low. The string spacing proved equally comfortable for. SJ- 2. 00 guitar intonates well and sounds musically tuneful as you move. This guitar has a big, open sound with robust lows, rich mids, and a. Indian rosewood body construction. The. price tag for this very special guitar seems like a real bargain too.

American. factory. The SJ- 2. 00 Western Classic would satisfy almost any expectation of. All considered, it earns an Editors’ Pick Award. FRETBOARD Rosewood, 2. CONCERNS None. Mc. PHERSON CAMRIELLE 4. Matt Mc. Pherson introduced his offset soundhole technology more.

In combination with proprietary. Mc. Pherson guitars are state- of- the- art designs that aim to deliver a higher. The Camrielle 4. 0 certainly. The flamed maple back and sides are neatly trimmed in. Venetian cutaway.

The swoop at the tail. The construction is immaculate throughout, and peeking inside the.

The bracing under the top is designed to maximize flexibility. Mc. Pherson’s own design, does not resemble the. The Camrielle’s. comfortable soft- V shape neck with its.

The frets are carefully shaped and. Factor in. accurate intonation in all positions—courtesy of the Buzz Feiten. Tuning System—and the Camrielle offers a highly enjoyable playing. The electronics package consists of an L. R. Baggs Element system.

It’s well suited for the Mc. Pherson concept. The. Camrielle’s amplified sound is natural and open, without any of the. P. A. It. doesn’t direct the sound at your noggin like a guitar with an opening.