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Blockbuster Movies 2017
Summer Blockbusters 2017
The Top 25 Box Office Blockbusters of the 21st Century. Specialty Market Hangs on with . The 7 Best Movies Coming to Netflix in September 2017. And just because summer blockbuster season represents the most. Exclusive Clip From
A Gentleman. Ghost House. Roland Emmerich turns the American Revolution into a blockbuster starring. 2017 Movies: IT . Beach Rats Limited Drama;. Movie Insider has strived to provide the most up-to-date release schedules based on confirmed third-party. In 2017, Asians and Asian. Beach Rats Birth of the Dragon Bushwick Clash.
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Alt-Summer Film Preview 2014: 20 Non-Blockbuster Movies to Check Out. From Afropop music docs to quirky indie thrillers, here's a guide to what else is playing in a. Jordan Ruimy. Jordan Vogt-Roberts Goes Blockbuster With Video. How March Became the New Summer at the Box Office. And highly anticipated releases for March 20 appear more than likely to continue that. Beach Rats. BEACH RATS New Clips: Written & Directed by Eliza Hittman and starring Harris Dickinson, Madeline Weinstein and Kate Hodge. WINNER Sundance Film Festival 2017. Daily Box Office Results for Monday, September 4. Summer 2017 Closes Out with the Worst Labor Day Weekend in 17. BEACH RATS Neon 8: $11,163 +130.2% / $1,395.
The Best Movies Of Summer 2. We’re right on top of things calendar- wise, right?
The gist of some articles would be “don’t you remember the days when they used to release great movies in the summer”? In fact, they’re pretty much known as the peaks of summer movie seasons. This year, AFI is running a 1. Just look at the films that were released between May and August of that year: “E. T,” “Blade Runner,” “Poltergeist,” “Star Trek II: The Wrath of Khan,” “John Carpenter.
What’s astounding about this year’s summer movies is just how good they were despite people’s misconceptions that we are somehow living in this kind of cinematic doomsday filled with one dreadful movie after another being released on a weekly basis. Quite the contrary, almost every weekend this summer saw the release of a cinematic delight, with films by Christopher Nolan, Edgar Wright, Kathryn Bigelow, Steven Soderbergh, Sofia Coppola, the Safdie brothers, Bong Joon- Ho and Ridley Scott to name a few. So embrace it, people.
Relish in the cinematic treats we got this year, it’s a just cause for celebration. The following are 1. May and August.“Dunkirk”Christopher Nolan. It certainly is the riskiest cinematic endeavor he’s ever attempted, a 1.
The dialogue is sparse, supposedly the final screenplay he ended up shooting with was his shortest ever, at just 7. Both convey a historical event through the use of brilliantly edited images and multiple narratives happening on- screen.
The lack of dialogue makes “Dunkirk” almost minimalistic in style, a rare feat in today’s blockbuster- stuffed landscape. The sheer fact that a studio would invest in such an audacious artistic statement like “Dunkirk” does bring a glimmer of hope for the future of mainstream cinema. It’s quite simply the best movie we saw all summer.“The Big Sick”All hesitations you might have had about this Judd Apatow- produced film were thrown out the window once Kumail Nanjiani appeared in Michael Showalter’s millennial romantic comedy “The Big Sick.” Najiani, known for his supporting role in HBO’s “Silicon Valley,” doesn’t need to act as much as just be himself on- screen. The film is a touching and heartfelt personal account of his real- life relationship with his wife Emily Gordon (as played beautifully by Zoe Kazan), which was initially troubled by an undisclosed illness which left her hospitalized in a coma. Sometimes the movie Gods align and everything in a production ends up working; the actors, the screenplay, the director, the photography. An effortlessly great film is born in the process. This is the best Judd Apatow movie and it wasn’t even directed by Apatow.“Columbus”Jin (John Cho), A Korean- born man arrives in Columbus, Indiana, one of the great architectural cities in the world, where his legendary architect father is in a coma.
He meets Casey (Haley Lu Richardson) a young enthusiast of his father’s, who wishes to pursue her dreams outside of the small city but is burdened to take care of her recovering addict mother. The bond these two lost souls create in this magical city of Architectural heaven is not just touching but has a surreal aspect to it that makes the viewer feel as if they just got lost in a dream. Columbus, Indiana’s famous modern architecture is featured prominently throughout as Casey guides Jin to her favorite spots. Their corresponding conversations, filled with cigarette smoke, gradually become more detailed and more revealing. Director Kogonada, in his impressive debut, conveys emotion through site and sound. He turns out to be a master of not just visual setting, but of conversational filmmaking, and his “Columbus” might just be a masterpiece.