Ingmar Bergman - Wikipedia. Ernst Ingmar Bergman (Swedish pronunciation: . He is recognized as one of the most accomplished and influential filmmakers of all time.

Also well- regarded are works such as Winter Light (1. The Silence (1. 96. Scenes from a Marriage (1. Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 1.

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From 1. 95. 3, he forged a powerful creative partnership with his full- time cinematographer. Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Bj. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1.

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Ingmar Bergman was born in Uppsala, Sweden, the son of Erik Bergman, a Lutheran minister and later chaplain to the King of Sweden, and Karin (née Åkerblom), a nurse. Discover the innovative world of Apple and shop everything iPhone, iPad, Apple Watch, Mac, and Apple TV, plus explore accessories, entertainment, and expert device.

F. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as . His achievement is unsurpassed. His father was a conservative parish minister with strict ideas of parenting. Ingmar was locked up in dark closets for .

There was everything that one's imagination could desire—angels, saints, dragons, prophets, devils, humans .. Within a year, he had created, by playing with this toy, a private world in which he felt completely at home, he recalled. He fashioned his own scenery, marionettes, and lighting effects and gave puppet productions of Strindberg plays in which he spoke all the parts. His school years were unhappy, and he remembered them unfavorably in later years.

In a 1. 94. 4 letter concerning the film Torment (sometimes known as Frenzy), which sparked debate on the condition of Swedish high schools (and which Bergman had written), the school's principal Henning H. He attended a Nazi rally in Weimar at which he saw Adolf Hitler. He electrified the crowd. The Nazism I had seen seemed fun and youthful. He spent most of his time involved in student theatre and became a . Although he did not graduate, he wrote a number of plays and an opera, and became an assistant director at a theatre.

In 1. 94. 2, he was given the opportunity to direct one of his own scripts, Caspar’s Death. The play was seen by members of Svensk Filmindustri, which then offered Bergman a position working on scripts. He married Else Fisher in 1. Film work. Frenzy) (Hets), a film directed by Alf Sj. Along with writing the screenplay, he was also appointed assistant director of the film. In his second autobiographical book, Images: My Life in Film, Bergman describes the filming of the exteriors as his actual film directorial debut. When Henning H. Bergman also stated in the letter that he .

And as such I have definitely not wanted to criticize my own school, but all schools. During the next ten years he wrote and directed more than a dozen films, including Prison (F.

This was followed by The Seventh Seal (Det sjunde inseglet) and Wild Strawberries (Smultronst. The Seventh Seal won a special jury prize and was nominated for the Palme d'Or at Cannes, and Wild Strawberries won numerous awards for Bergman and its star, Victor Sj.

Bergman continued to be productive for the next two decades. From the early 1. Swedish island of F. Critics created the notion that the common themes in these three films made them a trilogy or cinematic triptych. Bergman initially responded that he did not plan these three films as a trilogy and that he could not see any common motifs in them, but he later seemed to adopt the notion, with some equivocation.

While the highly experimental film won few awards, many consider it his masterpiece. Watch Frantz (2017) Movie Online. Other notable films of the period include The Virgin Spring (Jungfruk. He and his cinematographer Sven Nykvist made oft- noted use of a crimson color scheme for Cries and Whispers (1. Bergman's most acclaimed films. He also produced extensively for Swedish television at this time. Two works of note were Scenes from a Marriage (Scener ur ett .

He shut down his film studio on the island of F. He briefly considered the possibility of working in America; his next film, The Serpent’s Egg (1. German- U. S. This was followed by a British- Norwegian co- production, Autumn Sonata (H. Bergman stated that the film would be his last, and that afterwards he would focus on directing theatre. After that he wrote several film scripts and directed a number of television specials.

As with previous work for TV, some of these productions were later released in theatres. The last such work was Saraband (2. Scenes from a Marriage and directed by Bergman when he was 8. Repertory company.

Norwegian actress Liv Ullmann, who appeared in nine of Bergman’s films and one televisual film (Saraband), was the last to join this group (in the film Persona), and ultimately became the most closely associated with Bergman, both artistically and personally. They had a daughter together, Linn Ullmann (born 1. Bergman began working with Sven Nykvist, his cinematographer, in 1. The two developed and maintained a working relationship of sufficient rapport to allow Bergman not to worry about the composition of a shot until the day before it was filmed.

On the morning of the shoot, he would briefly speak to Nykvist about the mood and composition he hoped for, and then leave Nykvist to work, lacking interruption or comment until post- production discussion of the next day’s work. Financing. He cited two reasons for this: one, that he did not live in the United States, which he viewed as obsessed with box- office earnings; and two, that his films tended to be low- budget affairs. His earlier films are carefully constructed and are either based on his plays or written in collaboration with other authors. Bergman stated that in his later works, when on occasion his actors would want to do things differently from his own intention, he would let them, noting that the results were often .

As his career progressed, Bergman increasingly let his actors improvise their dialogue. In his latest films, he wrote just the ideas informing the scene and allowed his actors to determine the exact dialogue. When viewing daily rushes, Bergman stressed the importance of being critical but unemotive, claiming that he asked himself not if the work was great or terrible, but rather if it was sufficient or needed to be reshot. In addition to these cerebral topics, however, sexual desire features in the foreground of most of his films, whether the central event is a medieval plague (The Seventh Seal), upper- class family activity in early twentieth century Uppsala (Fanny and Alexander), or contemporary alienation (The Silence). His female characters are usually more in touch with their sexuality than the men, and unafraid to proclaim it, sometimes with breathtaking overtness (e.

Cries and Whispers) as would define the work of . I want audiences to feel, to sense my films. This to me is much more important than their understanding them.

There he also states that he managed to push the envelope of film making in the films . Bergman stated on numerous occasions (for example in the interview book Bergman on Bergman) that The Silence meant the end of the era in which religious questions were a major concern of his films. Bergman said that he would get .

During his studies at Stockholm University, he became active in its student theatre, where he made a name for himself early on. His first work after graduation was as a trainee- director at a Stockholm theatre. At twenty- six years, he became the youngest theatrical manager in Europe at the Helsingborg City Theatre.

He stayed at Helsingborg for three years and then became the director at Gothenburg city theatre from 1. He became director of the Malm. Many of his star actors were people with whom he began working on stage, and a number of people in the . He was the director of the Royal Dramatic Theatre in Stockholm from 1. Donya Feuer. After Bergman left Sweden because of the tax evasion incident, he became director of the Residenz Theatre of Munich, Germany (1. He remained active in theatre throughout the 1. Henrik Ibsen’s The Wild Duck at the Royal Dramatic Theatre in 2.

A complete list of Bergman’s work in theatre can be found under .

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