Cannes 2. 01. 7 Video #5: . And to celebrate that milestone, there have been a number of events that brought back actors and filmmakers from festivals past. While on the red carpet you’ll see people wearing anything and everything. Out on the street festival goers are wearing little red buttons attached to their badges. Distributed by the festival, some are in French, others in English. But they all had little witty, inside jokes about the festival, such as! We DO work in Cannes!”And we ARE working hard covering the competition for the Palme d’Or.

One contender with a lot of star power is . This beautifully photographed civil war era period piece tells a similar story to the 1. Don Siegel and starred Clint Eastwood.

But this update tells the tale from a decidedly female perspective. At the press conference, Sofia Coppola talked about selecting this all- star cast. Another period piece in competition is the film .

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It follows the ups and downs of the career and the personal life of the famous sculptor. Ukrainian director Sergei Loznitsa was last in Cannes with his 2. Watch Moka (2017) Online. Along the way, she meets a number of strange characters and obstacles in her path.

The director allows the conversations and situations to amble on like a very long road trip, and the film takes the scenic and often harrowing political route in getting to its ultimate fantasy destination. To get another take on the Palme d’Or competition, I spoke with Canadian film critic Jason Gorber of Screen. Anarchy. com. Young American filmmakers Josh and Benny Safdie have been getting a lot of attention this year in Cannes. Their competition piece, . He’s quite good. I’d said this is his finest acting since the . He is nearly unrecognizable as a low- level criminal on the streets of New York.

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After a botched bank heist, Pattinson spends the rest of the film staying away from the police while trying to rescue his mentally disabled brother who had been caught. Advertisement. While . It reminds me of a mishmash of . Another very strong performance was turned in by Diane Kruger in a film by German director Fatih Akin called . And she really nails the role of a woman who loses her Turkish husband and son in a street bombing. We soon learn that the bombers were members of the modern day Nazi party, and she spends the rest of the film battling the killers in and out of court. While that may sound like a plot line you’ve seen a hundred times before, this is not your typical revenge thriller.

I think Kruger has a good chance at collecting the Best Actress prize. While many of us in the press are focused on the Palme d’Or competition, lots of people are here at the festival for many different reasons.

We often run into studio heads, publicists, and even the heads of other film festivals from around the globe who are looking for movies for their own events. I got a chance to talk to George Lepauw, famed concert pianist, who also runs CIMMfest, the Chicago International Movies and Music Festival. One interesting film, playing out of competition, is Roman Polanski’s newest work called “Based on a True Story.” It’s an entertaining psychological thriller, starring his wife Emmanuelle Seigner as a famous author and Eva Green as a ghost writer who wants to take over her persona.

At the press conference, many wondered whether it would be bad form to bring up Polanski's outstanding arrest warrant in the United States. Ultimately, no one did.

The final film to play in competition was director Lynne Ramsey’s “You Were Never Really Here” starring Joaquin Phoenix. He plays a hitman who was abused as a child and who wants to use his skills to help out a young girl who is being sexually exploited.

It’s often brutally violent. But the strong performance by Phoenix and expert editing and direction by Lynne Ramsey has made this a poetic film that some critics hope will be a strong contender for the Palme d’Or. That’s all for now.

But check back often, as we’ll be updating you as the festival comes to a close with our annual critic’s roundtable discussing and debating the competition, as well as the announcement of prizes. As always, continue to visit Roger. Ebert. com for our video reports as well as the daily written reports on all the films by Barbara Scharres and the rest of our team of writers.

We’ll see you next time! Advertisement. Next Article: Cannes 2. Video #7: The Winners are Revealed. Previous Article: Cannes 2.