Thieves Steal ATM With Forklift in Daring Arkansas Heist. It’s a lot harder to “take the money and run” when the cash you want is trapped inside an ATM. But some daring thieves in Arkansas recently used a forklift in their effort to do just that. The thieves crashed an enormous CAT forklift into the drive- thru portion of a bank on Wednesday, August 1. ATM. And police now believe that these criminals might have some ties to the construction industry. I wonder what gave them that idea.
The thieves hit the First Service Bank in Conway, Arkansas around 3: 3. Wednesday morning. The Conway Police Department posted the video to Facebook, captured from the bank’s CCTV cameras, and are asking the public for help in identifying the perpetrators.
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You can’t clearly see any people in the video, so they’re asking people to help identify the forklift. Even if you make off with an ATM, it can be incredibly hard to crack them open.
But given the brute force already demonstrated by these criminals, something tells me they’re going to try and find a way with something big and menacing. But a warning for anyone who thinks this might be a good idea for them: More and more ATMs have GPS tracking. So even if you make away with the machine, you might have the police on your tail a lot sooner than you’d like. If you have any information about the theft, the Conway Police are asking the public to call 5.
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The Uncanny Sound Illusion That Creates Suspense in Christopher Nolan's Movies. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Well, maybe that’s overstating things a bit. But the director does have a knack for creating an unnerving degree of tension. Turns out he’s using a little bit of musical magic to do it. The magic is actually a science- based audio illusion called a Shepard tone. Hd Video 720P Cloverfield (2017) there. Named after psychologist Roger Shepard, a pioneer in our understanding of spatial relation, the effect sounds like an infinitely ascending or descending scale.
The tones are constantly moving upwards or downwards, but they never seem to reach a pinnacle or nadir. This is accomplished by stacking scales on top of each other—typically one treble scale, one midrange, and one bass—with an octave in between, then playing them in a continuous loop. A Shepard tone is sometimes referred to as the barber pole of sound. You can even see the similarity, when you hear it and look at the spectrum view of a Shepard tone. Don’t listen to this too long, or you might lose your mind: Anyways, Christopher Nolan just loves this. With longtime collaborator Hans Zimmer, the acclaimed director has used a Shepard tone in almost every one of his films in the last decade. He even writes his scripts to match the effect.
In a recent interview, Nolan explained how he used Shepard tones in his newest film, Dunkirk: The screenplay had been written according to musical principals. There’s an audio illusion, if you will, in music called a “Shepard tone” and with my composer David Julyan on “The Prestige” we explored that and based a lot of the score around that.
And it’s an illusion where there’s a continuing ascension of tone. It’s a corkscrew effect. It’s always going up and up and up but it never goes outside of its range. And I wrote the script according to that principle.
I interwove the three timelines in such a way that there’s a continual feeling of intensity. Increasing intensity. Watch When Marnie Was There Japanese (2015) Online For Free. So I wanted to build the music on similar mathematical principals. Knowing this, you gain a deeper understanding of films like Interstellar, Inception, and The Prestige. It also explains why these films seem somehow inconclusive. A Shepard’s tone creates a conflict that can’t be resolved, just like Nolan’s plots.